manic panic OPENING THIS WEEK
Preview: 5–8pm Thursday 12th August 2021
Exhibition continues: Friday 13th August – Saturday 28th August
Gallery open: 12–6pm, Thursday–Saturday
For manic panic, Suzanne O’Haire exhibits a series of 12 assemblages made during 2019, while on a 4-month international residency at the Irish Museum of Modern Art (IMMA). Due to the COVID pandemic, this work sat untouched in a garage in North Meath for two years. Alongside this work is a new sound recording, twelfth, that O’Haire developed through the 2020-21 lockdown.
Pallas Projects are pleased to present manic panic by Suzanne O'Haire, the 6th exhibition in the Artist-Initiated Projects 2020/21 programme.
manic panic (2019) + twelfth (2021)
What now feels like no time at all but also a lifetime ago, back in April 2019 I arrived at the Irish Museum of Modern Art (IMMA) for a 4-month international residency. The plan for this experience was to wedge in some headspace and upscale my working process. Looking back, what gradually emerged was a series of pieces that resembled human proportions, where certain elements within assemblages also related to the body. This was neither an intention nor a conscious stream of thought while working, but on reflection it makes sense; this was clearly a response to some personal events occurring at the time.
Without any pressure to resolve work on the residency, two significant pieces did eventually surface; dangerously safe things and a series of twelve assemblages titled manic panic. As my time at IMMA drew to a close, I figured I’d only be able to squeeze one of these works into the Ford hatchback for my return journey home. So, manic panic was boxed up and taken to North Meath (thanks Dad for allowing it to claim the garage). I promised it was a temporary measure, that I’d sort its future within a year. Then it happened, and everything went awry. So, there it has sat, untouched, for two years.
With so much cancelled, postponed or put on ice, the team at Pallas Projects made a commitment to artists to make things happen when the world allowed, offering a glimmer of something down the line. So, my thoughts again returned to this work, and how our relationship had changed as we’d become so physically detached; it and I both in limbo. Then that title, manic panic, all the additional connotations this now summoned!
During the pause/in-between/gap, a need to add something else to manic panic began to stir. With a growing sense of becoming somewhat isolated, my voice became the layer I needed to work with. twelfth (elf being an acronym for extremely low frequency) came about from me being initially compelled to make twelve pieces for manic panic, without an apparent understanding of why. Over time, twelve spoken chapters came together, and this felt like a way to [re]connect with the work from a distance.
I’m writing this six weeks ahead of the planned exhibition opening. What may happen between now and then I wonder? Will the work be as I’d left it, or perhaps some element or creature has disturbed it? The events affecting manic panic post IMMA now seem oddly apt — it awaits its next manifestation.
* A few thank you’s to squeeze in…firstly, I’d like to applaud the team at Pallas for their steadfast resilience and patience. To Alastair Terry for helping me pull twelfth together with his tech wizardry, and to Dad for letting me hijack the garage for far too long. And lastly, to the Irish Museum of Modern Art (especially Janice Hough) for their brilliant support that enabled this work to come about.
What total stars you all are!
Photography by Pallas Projects, Lee Welch (top) and Viktorija Kacanauskaite (bottom)
August 2021